Composition
Music Theater
Performance
Collaborative Practice
Theater Studies
Teaching
Festival Curation

works & projects

 
2_Ole Hübner_4_credit Jakob Boeckh.jpg.

about

“In hybrid sound spaces, instrumental, vocal, electronic, scenic and visual, analog and digital can meet in inhospitable density and intensity. But something is different from many emphatically ‘immersive’ products of contemporary music, which nowadays not infrequently fall prey to a certain superficiality. Something in Hübner’s restless mélange of immediate expressivity and associative reality-blinding seems more urgent, even poetic, than elsewhere. Perhaps this is because ‘theater’ has such great signifi­cance for Hübner, not in the sense of genre and urban institution, but as a principally open space for artistic action and experimentation. And this space is usually not a virtual one, but a space of confronta­tion … a confrontation, admittedly, that works primarily with hints and intangibles.”

– Dirk Wieschollek, nmz 12/2019

Ole Hübner (1993) studied composition in Hanover (with Benjamin Lang and Joachim Heintz, 2007-10) and Cologne (with Johannes Schöllhorn and Michael Beil, 2011-15); this was followed by a master’s degree at the Giessen Institute for Applied Theater Studies (with Heiner Goebbels et al., 2015-18). In 2016 Ole participated in the Tzlil Meudcan master class with Chaya Czernowin and José María Sánchez-Verdú in Tel Aviv. Since 2018, they has taught composition and interdisciplinary sound concepts at the Justus Liebig University Giessen and the Academy of Performing Arts Baden-Württemberg, among others; in 2020-22, they is a postgraduate student and tutor at the Dresden College of Music (with Stefan Prins and Manos Tsangaris) including a guest semester at the Norwegian Academy of Music Oslo (with Trond Reinholdtsen et al.).

In permanent collaboration with Maria Huber and Jakob Boeckh (as the paranormal ϕeer group), Ole develops forms of radically discursive, experimental and non-hierarchical work genesis and co-authorship for sound/space-based performances and music theatre in the broadest possible sense. They has also been a permanent member of the German-Swiss music theatre collective The Navidsons since 2015 and regularly collaborates with the director/scenographer Kapitolina Tcvetkova. Ole has been involved in interdisciplinary productions such as The Navidson Records (M. Devaud, L. Dick, O. Hübner, K. Hverring, C. Lim, R. Quindici, B. Schiefer, T. Tesche, T. Wyler von Ballmoos and others; Munich Biennale / Bern Theatre 2016), Orpheus Moments (F. Blum, J. Boeckh, O. Hübner, T. Tesche; Venice Biennale 2017), вепрь и рыба (O. Hübner, K. Malinina, K. Tcvetkova; Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre Moscow 2018), Revolutions Per Minute (S. Heemann, O. Hübner, J. Mihály, L. Ripchinsky, N. Wehr; Gallus Theater Frankfurt 2019), Ødipus REC. (M. Devaud, M. Huber, O. Hübner, T. Tesche, T. Wyler von Ballmoos, M. Taylor, T. Douglas, Ensemble Lemniscate; Gare du Nord Basel / Tojo Theater Bern 2020), Staying Broken (the paranormal ϕeer group + Neo Hülcker; Elbphilharmonie Hamburg 2020), Befriending Ghosts – Digital Hauntings (the paranormal ϕeer group; Volksbühne Berlin digital / HAU4 @ Performing Arts Festival Berlin 2021), ALICE (J. Genuit, O. Hübner, K. Tcvetkova, HANATSUmiroir; Espace K Strasbourg 2021 / Theater Eurodistrict Baden Alsace 2022) and Fairytales Of Economic Growth (M. du Tillieul McNicol, J. Yule, O. Hübner / Opéra Orchestre National Montpellier 2021). The opera opera, opera, opera! revenants and revolutions (libretto: Thomas Köck) was created for the Munich Biennale 2020 but has remained unperformed due to the Covid-19 pandemic.

Ole is also committed to concert music: In this field they has worked, among others, with the Klangforum Wien, the Ensemble Modern, the Decoder Ensemble, the NAMES Ensemble, the Ensemble Proton Bern, the Arditti Quartet, Airborne Extended and various soloists. Especially with the vocal artists Frauke Aulbert and Julia Mihály as well as with the countertenor Michael Taylor long-term and trustful collaborations have developed. Ole’s music has been performed and broadcast in numerous countries in Europe, Asia and North America. In all genres, the enrichment and re-evaluation of new music knowledge and techniques through theatrical and theatrological perspectives and strategies is of central interest to them.

Starting in 2021, Ole curates the Musik 21 Festival for contemporary music in Hanover and Lower Saxony. They has received the 63rd Composition Prize of the Federal State Capital of Stuttgart 2018, a residency scholarship to the Villa Aurora Los Angeles 2019, a federal scholarship to the Cité Internationale des Arts Paris 2019/20, a commission prize (for Klangforum Wien) at the composition competition of the impuls Festival Graz, and the Bremen Composers Prize of the Landesmusikrat Bremen 2020.

Learn more in this portrait video produced in 2021 by the AVL Cultural Foundation:

 

dates & events

2021


September 21, 2021 | 7.30 pm | Dampfzentrale Bern Masse und Bewegung 4 (2020/21, world premiere) Ensemble Proton Bern September 30, 2021 | 5.00 pm | Sacrum Profanum Festival Kraków Trauma und Zwischenraum 3 (2021, world premiere) Ensemble Kompopolex October 28, 2021 | 5.00 pm | Mozarteum University Salzburg | CROSSROADS Festival Trauma und Zwischenraum 1 (2020, world premiere) Airborne Extended November 26/27/28, 2021 | UNESCO-Welterbe Zollverein Essen | Next Level Festival for Games Loss of Signal (of course I still love you) (2021) Interactive music theater installation by the paranormal φeer group (Jakob Boeckh & Maria Huber & Jakob Boeckh) Amélie Haller, performance Maria Marstal, voice/electronics Lydia Schmidl, accordion Miguel Ángel García Martín, percussion/objects Philipp Krebs, live audio engineering December 2021 | Oslo New piece for vocal ensemble (2021) Nordic Voices December 2021 | Vienna Trauma und Zwischenraum 1 (2020) Airborne Extended Fall 2021 | Hanover Gestalt und Zersetzung 3 (2021, world premiere) Thomas Pfaffinger, tuba Jakob Boeckh, nightmare machine (construction & improvisation)




2020/21 (past events)


September 9-12, 2021: Musik 21 Festival 2021: REALITÄTEN | REALITIES ( artistic direction: Ole Hübner | Kulturzentrum FAUST Hanover) August 28/29, 2021: Loss of Signal (of course I still love you) (world premiere, interactive music theater installation by the paranormal φeer group | MS Stubnitz Hamburg | Amélie Haller, performance | Julia Mihály, voice/electronics | Lydia Schmidl, accordion | Miguel Ángel García Martín, percussion/objects | Philipp Krebs, live sound engineering) August 16, 2021: Masse und Bewegung 3 (world premiere | Impuls Festival, Helmut List Halle Graz | Klangforum Wien | Bas Wiegers, solo conductor) July 24/25, 2021: Geht dann gleich los (world premiere, space/sound installation by Antonia Krull, Claudine Walter and Ole Hübner | HELLERAU – Europäisches Zentrum der Künste Dresden) June 27, 2021: Fairytales of Economic Growth (world premiere, short opera / dance theater by Mathilda du Tillieul McNicol, Jay Yule and Ole Hübner | Opéra Comédie / Opéra Orchestre National Montpellier / Jay Yule, Anthea Pichanick, Fabien Hyon, Aurélie Saraf, Pascal Martin, Ludovic Nicot, Pia Segerstam, Sora Elisabeth Lee) June 11/12, 2021: ALICE (world premiere, music theater by Ole Hübner, Jürgen Genuit and Kapitolina Tcvetkova | Espace K Strasbourg | Frauke Aulbert & HANATSUmiroir) May 27-30, 2021: Befriending Ghosts – Digital Hauntings (interactive online installation/performance by the paranormal φeer group with a cameo appearance of Armen Avanessian and live performances by Neo Hülcker & Buraq Ertuerk | HAU4 – digital stage of HAU Hebbel am Ufer @ Performing Arts Festival Berlin) May 26, 2021: Trauma und Zwischenraum 2 (world premiere | Dresden College of Music | Arditti Quartet) May 3-21, 2021: Befriending Ghosts – Digital Hauntings (interactive online installation/performance by the paranormal φeer group with a cameo appearance of Armen Avanessian | “Armen Avanessian & Enemies” series, #91, Volksbühne Berlin digital) April 8, 2021: “Die langwierige Methode des Ausdiskutierens” – kommunikative und kollaborative Arbeit im Musiktheater / “The Lengthy Method Of Negotiation” – Communicative And Collaborative Work In Music Theater (essay, input video and panel at the digital 74th Spring Conference of the Darmstadt Institute for Contemporary Music and Music Education) April 4, 2021: Ødipus REC. (music theater by The Navidsons | live stream from the Theater im Pumpenhaus Münster | Michael Taylor, countertenor | Thomas Douglas, actor | Frederic Schultze, child actor | Ensemble Lemniscate) January 12, 2021: Ole Hübner: gleichberechtigt, gleichzeitig, gleichgestellt (radio portrait by Kristin Amme on BR-Klassik “Horizonte”) December 2, 2020: Ole Hübner: gleichberechtigt, gleichzeitig, gleichgestellt (radio portrait by Kristin Amme on SRF 2 Kultur “Musik unserer Zeit”) November 12, 2020: opera, opera, opera! revenants and revolutions (radio broadcast on BR-Klassik of excerpts from the opera based on a libretto by Thomas Köck | moderation: Bettina Volksdorf | Miriam Knackstedt, Philine Götz, Michael Taylor, Robert Sellier, Michael Zehe, children’s/youth choir and chorus of the Oper Halle, Staatskapelle Halle | Maximiliano Estudies, live electronics | Michael Wendeberg, conductor | Michael Leverkus, audio engineering and recording director) October 24, 2020: opera, opera, opera! revenants and revolutions (radio broadcast on MDR Kultur & MDR Klassik of excerpts from the opera based on a libretto by Thomas Köck | moderation: Bettina Volksdorf | Miriam Knackstedt, Philine Götz, Michael Taylor, Robert Sellier, Michael Zehe, children’s/youth choir and chorus of the Oper Halle, Staatskapelle Halle | Maximiliano Estudies, live electronics | Michael Wendeberg, conductor | Michael Leverkus, audio engineering and recording director) October 12/13, 2020: Hungermünder (world premiere, music theater & performative installation by Elli Neubert, Hannah Mey, Johanna Winkler, Constanze Negwer, Jakob Boeckh and Ole Hübner | Hamburg University of Music and Drama | Maria Marstal, Nguyễn Nhật Linh, Ina Vöhringer, performance | Caroline Breuninger, key instruments | Gabriel Fischer, percussion) October 12, 2020: Extinction Events (radio broadcast by Dirk Wieschollek on SWR2 “JetztMusik”, featuring Ole Hübner, among others) September 28, 2020: Staying Broken. Stimmbruch als revolutionärer*s Moment (world premiere, sound-based lecture performance by the paranormal φeer group & Neo Hülcker | Festival für immaterielle Kunst, Elbphilharmonie Hamburg | Neo Hülcker, live performance | Donny Karsadi, audio engineering) June 16, 2020: Kompositionskollektive bei der Münchener Biennale / Composing Collectives at the Munich Biennale (radio broadcast by Svenja Wieser on BR-Klassik, featuring Ole Hübner, among others) June 12, 2020: Schützraum – ein musikalisches Äthernettheater (online concert by & with AuditivVokal Dresden including collective compositions from the Hybrid Music Lab of the Dresden College of Music: Ole Hübner, Beniamino Fiorini, Sol-i So, Volker Sondermann, Ziteng Ye, Sowon Yun, Daniel Muñoz-Osorio, Jaei Hyuk-Ra) June 3, 2020: Musiktheater im Entstehen – Münchener Biennale / Music Theater In The Making – Munich Biennale (radio broadcast by Thomas Meyer on SRF 2 Kultur “Musik unserer Zeit”, featuring Ole Hübner, among others) February 2, 2020: 30 Seconds of Noise [untitled] (part of the soundinstallation trugschluss brausebad of the trugschluss collective | MPhil 360° Festival, Muffatwerk Munich) February 1, 2020: BIG DATA (radio broadcast by Egbert Hiller on Deutschlandfunk “Atelier Neuer Musik” about the new CD of Decoder Ensemble, including Ole Hübner & Charlotte Bösling: Lied mit Chor: »Nachtigall mit Melodei«) January 23/24/25, 2020: Ødipus REC. (music theater by The Navidsons | Tojo Theater Bern | Michael Taylor, countertenor | Thomas Douglas, actor | Frederic Schultze, child actor | Ensemble Lemniscate) January 18/19, 2020: Ødipus REC. (world premiere, music theater by The Navidsons | Gare du Nord Basel | Michael Taylor, countertenor | Thomas Douglas, actor | Frederic Schultze, child actor | Ensemble Lemniscate)




2018/19 (past events)


November 1, 2019 - April 30, 2020: in residence @ Cité Internationale des Arts Paris (scholarship from the Hessian Ministry of Higher Education, Research and the Arts) August 2 - October 28, 2019: in residence @ Villa Aurora Los Angeles (scholarship from the Villa Aurora & Thomas Mann House e.V.) August 15, 2019: study with virtual instruments (German premiere | KunstKulturKirche Frankfurt am Main | electronic ID) June 8, 2019: Masse und Bewegung 1 (world premiere | Gare du Nord Basel | Ensemble Phœnix | Jürg Henneberger, conductor) February 27, 2019: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (radio broadcast on SWR 2 “JetztMusik” of the concert on February 6, 2019, at Theaterhaus Stuttgart | Klangforum Wien | Mathis Bossert, Simon Kluth, Sarah Palarczyk, Jonathan Peller, live speakers | Bas Wiegers, conductor) February 6, 2019: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (laureate concert of the 63rd Composition Prize of the Federal State Capital of Stuttgart | ECLAT Festival, Theaterhaus Stuttgart | Klangforum Wien | Mathis Bossert, Simon Kluth, Sarah Palarczyk, Jonathan Peller, live speakers | Bas Wiegers, conductor) February 6, 2019: Ole Hübner: Preisträger beim Festival ECLAT in Stuttgart / Laureate at the ECLAT Festival in Stuttgart (radio portrait by Karin Gramling on SWR 2) January 11/12/15, 2019: Revolutions Per Minute (world premiere, object and music theater by Ole Hübner, Leander Ripchinsky and Niels Wehr | Gallus Theater Frankfurt am Main | Julia Mihály, voice & performance | Sarah Heemann, flutes & performance | Niels Wehr, performance | Ole Hübner, audio engineering) December 8/9, 2018: вепрь и рыба / Boar and Fish (world premiere, short opera by Ole Hübner, Kira Malinina and Kapitolina Tcvetkova | Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theater | interACTive Vocal Ensemble | GAMEnsemble | Oleg Paiberdin, conductor) December 8, 2018: Kammersymphonie Nr. 1 / Chamber Symphony No. 1 (world premiere | CROSSROADS Festival, Mozarteum University Salzburg | NAMES Ensemble | Oscar Jockel, conductor) November 10, 2018: Hessen hören 35: Wandertag – Auf ein Bier nach Lich (worldpremiere, radio play in the “Artist’s Corner” series on HR2-Kultur) October 30, 2018: Mehrfachbelichtungen: Der Komponist Ole Hübner / Multi-Exposures: The Composer Ole Hübner (radio portrait by Michael Rebhahn on Deutschlandfunk Kultur) July 4, 2018: Mehrfachbelichtete Melodramen (Greek National Opera Athens | Frauke Aulbert, voice & performance | Donny Karsadi, audio engineering) June 30, 2018: Pewnego dnia wszystko to zmieści się w mniejszej torebce / One day It Will All Fit In A Smaller Purse (radio play in collaboration with Tamara Antonijevic and Małgorzata Wdowik | “Dwa Teatry” Festival, Sopot) June 21, 2018: »Postkrachohrennachklangstille« (S. 1493) (world premiere, collaboration with Jakob Boeckh | Cologne University of Music and Dance | Ramón Gardella, percussion | Maximiliano Estudies, coding & audio engineering | percussion class of the Cologne University of Music and Dance, noise makers) June 7, 2018: Introducing: Ole Hübner (radio portrait by Michael Rebhahn on HR2-Kultur) May 20/21, 2018: Ødipus REC. Open Guerilla Workstation (artistic interventions and public work space of The Navidsons | Operadagen Rotterdam) May 18, 2018: music for in-space reception #1 (world premiere | Split Art Convention, Town Museum of Split | S/UMAS Ensemble) April 27/28, 2018: Future Perfect Club (theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | German Stage Service Marburg) March 22, 2018: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (radio broadcast on HR2-Kultur of the concert on November 26, 2017, at the HR-Sendesaal Frankfurt am Main | Ensemble Modern | Enno Poppe, conductor | Norbert Ommer, audio engineering) March 10, 2018: This Place (Zentrum für internationale Lichtkunst Unna | Helen Bledsoe, bass flute) March 4, 2018: Orpheus Moments (music theater by Friederike Blum, Jakob Boeckh, Ole Hübner and Tassilo Tesche | radio broadcast on RAI Radio 3 of the performance on October 6, 2017, at Teatro Piccolo Arsenale Venice | Julia Mihály, Michael Taylor, Pablo Bottinelli, Timotheus Maas | Ex Novo Ensemble | Filippo Perocco, conductor) February 21, 2018: x.y FM (radio broadcast of Ensemble x.y on Resonance Extra | Richard Hames in conversation with Ole Hübner, part 2) February 10, 2018: Mehrfachbelichtete Melodramen (“TonArt” series, Villa Nagel Esslingen | Frauke Aulbert, voice & performance | Donny Karsadi, audio engineering) February 8/9, 2018: Future Perfect Club (theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | Maschinenhaus Essen) February 2/3/4, 2018: Future Perfect Club (theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | Studiobühne Köln/Cologne) January 19/20/21, 2018: These Days [There Is No Time Here, Not Any More] (world premiere, theater performance by Philipp Bergmann, Thea Reifler, Malte Scholz, Ole Hübner and Marie Meyer | Künstlerhaus Mousonturm Frankfurt am Main)




2016/17 (past events)


December 18, 2017: JetztMusik Jahresrückblick Neue Musik 2017 (“best of contemporary music 2017” radio broadcast on SWR 2 by Björn Gottstein, Lydia Jeschke, Bernd Künzig and Michael Rebhahn, including Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer by Ole Hübner) December 15/16, 2017: Future Perfect Club (world premiere, theater performance by Ole Hübner, David Guy Kono, Saskia Rudat, Jascha Sommer, Laura Strack, Wiebke Strombeck and Klaas Werner | Ringlokschuppen Mülheim an der Ruhr) December 6, 2017: x.y FM (radio broadcast of Ensemble x.y on Resonance Extra | Richard Hames in conversation with Ole Hübner, part 1) November 26, 2017: Drei Menschen, im Hintergrund Hochhäuser und Palmen und links das Meer (world premiere | cresc… biennale for contemporary music, HR-Sendesaal Frankfurt am Main | Ensemble Modern | Enno Poppe, conductor | Norbert Ommer, sound engineering) November 24, 2017: panel discussion “woher / musik / wohin” with Zeynep Gedizlioğlu, Malte Giesen, Martin Grütter and Ole Hübner, moderator: Stefan Fricke (cresc… biennale for contemporary music | foyer of the HR-Sendesaal Frankfurt am Main) November 21, 2017: Mehrfachbelichtete Melodramen (ON – Neue Musik at the Alte Feuerwache, Cologne | Frauke Aulbert, voice & performance | Ole Hübner, sound engineering)

November 18, 2017: Mehrfachbelichtete Melodramen (Elbphilharmonie Hamburg | Frauke Aulbert, voice & performance | Donny Karsadi, sound engineering) October 15, 2017: Das musikalische Ausrufezeichen / The Musical Exclamation Mark (radio broadcast by Leonie Reineke on Deutschlandfunk Kultur about “the fanfare as acoustic signal, musical genre and aesthetic experiment”, including la désolation by Ole Hübner)
October 6, 2017: Orpheus Moments (world premiere, music theater by Friederike Blum, Jakob Boeckh, Ole Hübner and Tassilo Tesche | La Biennale di Venezia, 61st International Festival of Contemporary Music | Teatro Piccolo Arsenale Venice | Julia Mihály, Michael Taylor, Pablo Bottinelli, Timotheus Maas | Ex Novo Ensemble | Filippo Perocco, conductor) September 15, 2017: ørfeus 2.0 letzte szene (world premiere as a part of the performance ørfeus 2.0 by the ørfeus kollektiv, photo studio of the Hochschule Düsseldorf | Lorenz Rommelspacher, tenor | Yuval Dvoran, theorbo | Laura Zielke, cello | Lennard Schubert, sound engineering | Tibor Torell, staging) September 1, 2017: Lied mit Chor: »Nachtigall mit Melodei« (world premiere, collaboration with Charlotte Bösling | BIG DATA Weekend, Resonanzraum Hamburg | Decoder Ensemble)
August 29, 2017: Musik als Praxis / Music as Practice (radio broadcast by Jim Igor Kallenberg on Deutschlandfunk Kultur about the musical aesthetics of Ferdinand Zehentreiter, including music by Ole Hübner, among others) August 20, 2017: la désolation (world premiere | Musik 21 Festival, Sprengel Museum Hannover | Ensemble Schwerpunkt) July 15, 2017: Zurück in die Gegenwart / Back to Future (radio broadcast by Hanno Ehrler on Deutschlandfunk “Atelier Neuer Musik” about younger currents and discourses of contemporary music, featuring Ole Hübner, Michael Maierhof and Martin Schüttler) June 18, 2017: Mehrfachbelichtete Melodramen (Festival Der Sommer in Stuttgart, Theaterhaus Stuttgart | Frauke Aulbert, voice & performance) June 13, 2017: Mehrfachbelichtete Melodramen (world premiere | “Unerhörte Musik” series, BKA-Theater Berlin | Frauke Aulbert, voice & performance) May 30, 2017: music for j. t. #5b: secret snares (“Unerhörte Musik” series, BKA-Theater Berlin | Ensemble LUX:NM) March 22, 2017: music for j. t. #5b: secret snares (Eva Clare Hall, University of Manitoba, Winnipeg | Ensemble LUX:NM) March 19, 2017: Pewnego dnia wszystko to zmieści się w mniejszej torebce / One Day It Will All Fit In A Smaller Purse (world premiere, radio play on Polskie Radio Trójka in collaboration with Tamara Antonijevic and Małgorzata Wdowik) March 19, 2017: music for j. t. #5b: secret snares (world premiere | Holy Trinity Anglican Church Edmonton | Ensemble LUX:NM) March 6, 2017: der sinn und das aussehen (one-person music theater in collaboration with Rick Reuther | Lasalle College of the Arts Singapore | Julia Mihály, voice & performance) December 1/2/3/4/6, 2016: Die Irrfahrten des Odysseus (children’s theater play by Harriet Maria Meining & Peter Meining with music by Ole Hübner | Deutsche Oper Berlin, Tischlerei | Frauke Aulbert, Tom Quaas, Johannes Hendrik Langer, Jakob Kraze, René Liebert, Leif Berger, Sebastian Berweck, Alexander Dawo, Nicola Hein, Ruth Velten, Ole Hübner) December 3, 2016: music for j. t. #1a: concerto grosso (WERFT – Kölner Ensemblefestival für Neue Musik, KOMED-Saal im Mediapark 7, Cologne | electronic ID | Yorgos Ziavras, conductor | Maximiliano Estudies, audio engineering) October 21, 2016: der sinn und das aussehen (one-person music theater in collaboration with Rick Reuther | KunstKulturKirche Frankfurt am Main | Julia Mihály, voice & performance | Ole Hübner, audio engineering) October 18, 2016: music for j. t. #1a: concerto grosso (world premiere | “Unerhörte Musik” series, BKA-Theater Berlin | electronic ID | Yorgos Ziavras, conductor | Ole Hübner, audio engineering) October 2016: From Space to Space (essay about a cultural-political utopia in the contemporary music journal SEILTANZ) September 8/10/11, 2016: The Navidson Records (music theater by The Navidsons | Konzert Theater Bern, Grosse Halle @ Reitschule Bern) June 14, 2016: low_res_adventure (film by David Erik Ronner with music by Ole Hübner | Filmsommer-Festival, Philosophikum II at Justus Liebig University Giessen) June 13, 2016: margins (film by Charlotte Bösling with music by Ole Hübner | Filmsommer-Festival, Philosophikum II at Justus Liebig University Giessen) June 13, 2016: analogue/grave (world premiere | Tzlil Meudcan Festival, HaTeiva Hall Tel Aviv-Yafo | Antoine Françoise & Gilles Grimaître, pianos & performance) May 29/30/31, June 1/2/3: The Navidson Records (world premiere, music theater by The Navidsons | Münchener Biennale, Lothringer13 Halle Munich)

May 21, 2016: this place (KOMED-Haus im Mediapark 7, Cologne | Helen Bledose, bass flute)

May 17, 2016: der sinn und das aussehen (one-person music theater in collaboration with Rick Reuther | “Trugschluss” series, Loft1 Marburg | Julia Mihály, voice & performance | Ole Hübner, audio engineering)




2022


January 2022 | MDR Orchestersaal Leipzig Masse und Bewegung 5 »QUARTETT« (2020/21, world premiere) for chamber orchestra in four group MDR Sinfonieorchester (Michael Wendeberg, conductor) February 6, 2022 | 3.00 pm February 7, 2022 | 10.00 am | Theater Eurodistrict Baden Alsace ALICE (2019-21) music theater for vocal artist, small ensemble, self-built instruments and sound objects by Ole Hübner, Kapitolina Tcvetkova and Jürgen Genuit HANATSUmiroir & Frauke Aulbert July 2022 | Giessen Town Hall Mehrfachbelichtete Melodramen (2016/17) for beatboxing voice artist, live electronics and audio/video playback Frauke Aulbert, voice & performance Summer/Fall 2022 New piece for solo trombone (2022, world premiere) Mikael Rudolfsson, trombone September 22-25 | Wilhelmshaven Musik 21 Festival 2022 Artistic direction: Ole Hübner 2022, as soon as circumstances permit | Bremen New piece for shanty choir (2021, world premiere) Neustädter Shanty-Chor Bremen ( Coco Joura, conductor) Commissioned by the Landesmusikrat Bremen e.V. in the context of the Bremen Composer Prize 2020





 
2_Ole Hübner_5_credit Jakob Boeckh.jpg.

collaborations

 
 

contact

ole.huebner[at]posteo.de

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